But I'm a Cheerleader

But I’m a Cheerleader was Babbit’s first feature film. It was inspired by an article about conversion therapy and her childhood familiarity with rehabilitation programs. She used the story of a young woman finding her sexual identity to explore the social construction of gender roles and heteronormativity. The costume and set design of the film highlighted these themes using artificial textures in intense blues and pinks.

A promising comedy that goes awry all too early, But I’m a Cheerleader concerns a misunderstood high school kid (Natasha Lyonne) whose parents send her to a harsh, homosexual-rehabilitation camp despite a lack of evidence that she’s gay. Ruled with an iron fist by a fascist counselor (Cathy Moriarty), the clinic only drives Lyonne’s character toward an attraction to a rebellious tomboy (Clea DuVall), though screenwriter Brian Wayne Peterson and director Jamie Babbit are curiously intent on keeping the two apart and depriving the audience of other comic possibilities. Meanwhile, hoary clichés abound: prancing boys, butch gays, lipstick lesbians. Despite a fine cast full of young talent, and cameo appearances by Julie Delpy and RuPaul Charles, this attempt to skewer a present-day trend in “curing” homosexuals of their sexual preferences is flattened by stereotypes and unimaginative thinking. –Tom Keogh

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Review:
I absolutely LOVE this movie! i’m a totally straight girl, but i just find it soooo hilarious and the romance between megan and graham is adorable. Of course, when i tell people that its one of my favs, most people assume that i’m gay.

funny & girly
I love this movie, its soo funny, and cute. Such an awesome and funny way to “graduate”.

Here is the “BUT I’M A CHEERLEADER” Trailer. Enjoy.

Saving Face starts like you might expect a Chinese-American lesbian romantic comedy to start: Young surgeon Wilhelmina (Michelle Krusiec, in her first starring role) has kept her sexual orientation secret from the conservative Chinese community of Flushing, NY–but when her mother (Joan Chen, The Last Emperor) becomes pregnant and is kicked out by her own parents, Wil suddenly has to juggle her mother’s secrets with her own…which include her sparky new romance with Vivian (Lynn Chen), a ballet dancer and the daughter of Wil’s boss. This bundle of intrigue and lust could motivate a wacky farce, but writer/director Alice Wu takes things a step further, delving into the characters’ psyches and the complex social rules of their world while still crafting a strong plot and plenty of sly humor. Wu captures excellent performances from her entire cast, particularly Joan Chen, who gives perhaps her most multifaceted performance. A rich, rewarding, and delightful movie. — (more…)